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HEAD TO HEAD REVIEW!!! TWO REVIEWERS, ONE CD:
ESCAPE ST. BARTH'S (SOULPHONIC)
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+ LISTEN @GIANTSTEP
There should be a label affixed to the front of this
CD that says: "WARNING: NOT A CHILLOUT CD".
From its azure blue cover to its laid-back name, Escape
St. Barth's might give you the wrong idea about
what you're going to hear, and that would be a shame
if it missed making it into your shopping cart or
stereo because you were thinking the last thing you
need is another island-inspired chill out CD. Let
me say that again: this is not a typical chillout
release! Imagine more like you're in the disco next
to the beach, or maybe sailing in your new best friend's
yacht drinking sweet rum drinks, and you'll know the
happy move your body kind of beats we're talking about
here. Someone (unnamed in the credits) over at the
brand new label Solphonic picked out this incredible
selection of upbeat, vocal-infused, incredible house
tunes - and all the best mixes of said tunes as well.
These are some of my all-time favorites from the past
four years, including Dr. Kucho! "Lies To Yourself",
Roger Sanchez "Another Chance", Tim Deluxe
"It Just Won't Do" (remember that one??)
and the instantly classic The Supermen Lovers "Starlight."
The continuous mix is flawless thanks Urban Rhythm's
skills. Actually, if it were really up to me, I'd
sticking my own label on this case: WARNING: INCREDIBLE
FEEL-GOOD MUSIC INSIDE! -- review by Claire Truman
Friendlier
and more melodically oriented than most of the house
I'm accustomed to hearing, I can't help but like what
I hear. From the tropical kick-off of Alistair Colling's
"Cafe Sol (Para Carolina)", through the disco referencing
"Point of View" by DB Boulevard and GusGus' high energy,
anthemic "David (Tim Deluxe Mix), to the funky house
wrap-up of "Keep Rockin'" by Mr. Timothy (a tad more
traditional house than some of the other bits here,
this highly vocal set of house tunes is cheery and
infectious and boasts a relatively heady amount of
personality, beauty and dynamics for the genre (in
my trancehead opinion, anyway). I was quite impressed
by the rich set of tunes Solphonic mixed together
on this compilation. I don't know what well they're
digging these flavorful, summery tunes from, but there's
some other house compilers who would do well to find
the same beachy source. Groovy -- review by Kristofer
Upjohn
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PHILIPPE COHEN SOLAL - INSPIRACIÓN-ESPIRACIÓN:
A GOTAN PROJECT DJ SET (XL)
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+ LISTEN
I've actually had the pleasure of interviewing Gotan
Project founder Philippe Cohen Solal before. He's
France French, so I expected a requisite arrogance.
Not so; the man's a gent. He does, however, have every
reason to be boastful. The Gotan Project live act
is responsible for updating the tango for the 21st
Century by marrying it to electronic elements ("Gotan"
in fact being an anagram of "tango." Clever,
non?) and the rearrangement was picked up on by DJs
like Thievery Corporation, Jazzanova and Gilles Peterson,
who gave the ensemble ample exposure on his BBC Radio
One show. The GP debut, La Revancha Del Tango
("Tango's Revenge," loosely translated),
is indeed impressive, but the idea of a Solal DJ mix
sort of seemed like a blatant cashing in on the live
act's success. But after listening to Inspiración-Espiración,
I've learned something very important: I'm one jaded,
stereotyping and frequently-proven-wrong little bitch.
With half the tracks being by the Gotan Project, there's
definitely a tango vibe happening. And through GP,
Solal has said he hopes people get alerted to tango
masters like Astor Piazzolla (included here with the
original "Cité Tango"). But who knew Solal
also dug on abstract hip-hop? (See Antipop Consortium
remix of GP's "El Capitalismo Foránco" and
Al-Shid's "M.A.T.H.") Tango's template gets
further expanded with atmospheric stuff from Chet
Baker, Peter Kruder (of Kruder & Dorfmeister fame)
and Pepe Bradock with an ominous and trippy mix of
GP's "Santa Maria." Add a bonus CD with
video footage of GP live, and you've got one of this
year's most mesmerizing releases. www.gotanproject.com
- www.xlrecordings.com
- review by Yuri
Wuensch
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PH10 - HELMUTVISION (HELMUTPLEX RECORDS)
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@ AMAZON
Helmutvision's "Intro" starts out with atomic
beats, editing, scratching and rap. Next up, drum
and bass take over the second track which features
Pete Miser - one of the pH10 components. "Find Strength"
is a brief moment in deep darkness with spoken word
and wrenching synths. "Helmut Theme" brings out the
big beat weaponry - then drum and bass returns with
"2600 Funkus", a more minimalistic track. "Think It
Through" is a faint reminder in vocal style of a BT
favorite - "Madskillz" from the album Movement In
Still Life. "The Red Arrow" is well done drum and
bass with beefy synths and "4PM" is deep, down, and
funky. "Tough Love" throws in some spoken philosophy
such as "the expression one wears on one's face is
far more important than the clothes one wears on one's
back" - yet there is a humorous side to the seriousness
of the statements. Toward the end of the album, the
live performance of "T.P.C." shows that pH10 can rock
it live as well. "T.P.C." is a dark, thick, drum and
bass track which is a seven-minute-plus performance
recorded at the Rhinecliff Hotel in November of 2002.
Dispersed hints of humor are thrown in throughout
the album and are an unexpected and welcome placement.
Another cool twist is that the album sleeve includes
the equipment Recone Helmut used on the album such
as Emu samplers, Roland and Emu synthesizers, and
Alesis Drum modules. The techie in me is always curious
as to what equipment is used and it was a cool concept
to have included the info rather than have to search
through an article in a magazine. Helmutvision is
technically sound in all aspects from sound design,
editing and production to the final stages of mixing
and mastering (of which the mastering was done by
Alan Douches at West Westside Music) while still keeping
an emotive force in the music. Slick, phatt, and diverse,
Helmutvision should intrigue those interested in a
mix of big phatt beats and drum and bass. www.helmutplex.com
- www.petemiser.com
- www.westwestsidemusic.com
-- review by
Jules Mari
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PERFECTO PRESENTS... SEB FONTAINE: TYPE (THRIVE)
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Seb Fontaine's nightlife neon prog house on display
on Perfecto Presents... Seb Fontaine: Type
is short on melody but long on deep texture and relentless
hooks and this is what gets the listener interest.
Partway through the first track, once you've decided
maybe it isn't going anywhere the throbbing pulse
of the music seeps into you and you become assimilated.
The muscley textures and sometime nod to vocal hooks
keep the proceedings interesting and unboring, across
the two DJ mixed CDs in this set. The only downside
is the length of the tracks. Granted, there's a certain
progressiveness afoot here but this album would benefit
from mixing Fontaine's lengthiness but keeping things
moving with more frequent track shifts. Somewhere
in the middle would have upped the ante on Type
a bit, but all told this is still a solid house
album. -- review by Kristofer Upjohn
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