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  Offworld Music
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WUMPSCUT - EVOKE (METROPOLIS)
 
Even for an odd bird like Wumpscut, "Maiden" is a weird piece. Moving back and forth between female vocals and Rudy Ratzinger's gruff vox, the song and its stilted rhythm - aligned with cleaner instrumental work than I'm accustomed to with Wumpscut - is a bit of an eyebrow raiser. At first disinclined to like it, it's a persistent track and had me hooked into its structure before all was said and done. The title track is another example of Ratzinger's experimentation on display on this album. Again, you have far less distorted instrumentals behind the still traditional (a la Wumpscut) vocal approach: lasery beats shoot out, mingled with an echoing melody line that conjures the stark beauty of space. "Tomb" merges more classic Wumpscut (except for the noticeable lack of strong distortion) with some skittery beats and melodies suggestive of ambience and subtlety. "Breathe" injects some fast pacing into Wumpscut's electro-industrial - along with some weird, warbled and echoed voice de kiddy. Still on display is the move toward crisper electronica. The 11 tracks (and 2 remixes) on tap here will introduce the world to a new Wumpscut (though the darkness remains ... fear not).-- review by Kristofer Upjohn


   

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