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  Offworld Music
Record label catering to innovative music, artists and producers - from drum&bass to hip hop and electronic.

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PSYCLON NINE - INRI (METROPOLIS)
 
If ever there was electro with the attitude of black metal, this is it. Fortunately, it lacks the instrumental bombast of such violent music. Here, the attack is in the lyrics and vocals, both of which I'll address momentarily. Instrumentally you're facing a blend of standard electro industrial with melodic but dark songwriting and beats that dwell in a large mid-range. There's a tad of distortion but its fairly sleekly textured. However, there are guitars in places and though not of the extreme metal intensity they do (when coupled with the vocals ... which I'm getting to) tend to call to mind heavy metal. It is ironic though that at least once I was made to think of electronically oriented pop from the 80s. But that didn't last long. I was soon thrust back into the electro world where wicked vox delivered their dark message to me. While raspy vocals (told ya!) are anything but uncommon in electro-industrial, it is a bit strange for them to be this high pitched and hissy; it may be this as much as anything that made me think of black metal. But, of course, there are also the, uh, irreverent lyrics, which summon sacrelige on a par with many anti-Christian metal bands. Churning with cynicism and hostile unbelief, written with a sharply poetic pen, Psyclon Nine makes a strong point that will require the open-minded to appreciate. Fortunately for me I like shocking, iconoclastic ideas, and the music ain't too shabby either. -- review by Kristofer Upjohn


   

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