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  Offworld Music
Record label catering to innovative music, artists and producers - from drum&bass to hip hop and electronic.

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Lee Coombs Interview - Raves.com


  LEE COOMBS

  

www.leecoombs.com

 


 

 

 

 

 

read our full review here


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

 

 

 

 

 

Fresh off his North American tour promoting his new artist album release, Breakfast of Champions, Lee Coombs, the king of house/breaks fusion sits down with Ryan Bernier, and the results are below. Coombs can truly be recognized as a member of the Breakbeat elite - check out his full official bio at the bottom of the interview. Ryan opened for Coombs and took the opportunity ask Cooms these questions!

Ryan: Where do you currently reside?

Lee Coombs: I live in Kingston, Surrey. South West of London.

How would you describe the music you produce to someone?

Everyone likes to pidgeon hole styles of music, so we have come up with ‘Tech Funk' which basically covers all the different genres that I draw on such as Electro, Techno, House, and Breakbeat.

Who or what shaped your sound when you began?

I first got into this when ‘Acid House' was first around back in 1988. I think it has always influenced what I do from then on.

What was your first big break/gig?

I became a resident at a club in Cambridge called ‘Eclipse' in 1991. It was a monthly night holding about 2000 people with all the big name djs of the time playing there like Mr C, Grooverider, Fabio, Carl Cox etc.

What made you want to become a DJ?

I'm crap at dancing! Also I really felt drawn to it for some reason.

Can you name 5 of your favorite records in your bag right now?

1. Hyper – Come with me (Daniel Taylor remix) Four: Twenty
2. Artcrime – Like This (Rollover)
3. Lee Coombs and Andy Gardner – Obsessional Rhythm (Atomic Hooligan remix) Finger Lickin
4. Paranoid Jack vs ADDY – The Movin (Thrust recordings)
5. Virtualmismo – Mismoplastico (Lee Coombs remix) Mantra vibes

What do you like about production?

When you have an idea for a track and then finally realise it. Also getting a good reaction with your tracks is a real buzz.

What's the hardest thing about putting out an album?

When do you stop? You can keep on going forever writing tracks but sometime you have call it a day and be happy with. And what do you want to say with your album, that's a hard one. I just said keep on dancing! Hopefully.

How does being a DJ affect what you do in the studio?

It completely affects it, you write records with the thought of mixing it and what it will mix with and where it will feature in the set.

What do you learn/have you learnt from DJing?

That playing records is only a small part of the job. Travelling, business, and learning to deal with all kinds of people play big parts.

What's the secret of your success?

No secret, hard work! Lots of time spent in the studio at home. It's a very hard game to be in at the best of times.

How do you come across the samples for the records? How do you make them fit together so well?

Over time you just get an ear for finding what will work. I look though records and hear something that inspires me to make a track with it.

What records do you look for when you're searching; what are the things you look for?

Anything, mostly house and techno and electro tunes of any age. You can pick up good little stabs and percussion loops there.

What makes a good DJ or bad DJ?

A good DJ will read and play to the crowd. People want to hear things that they like as well as something new.

What has been your favorite city to play in to date? And why?

I have 2 favourite cities, London and San Francisco. Both very different. London is my home and when I play in clubs like Fabric it is something really special. San Fran is just such a fun place to come to. I have had amazing gigs there with some crazy people! Everyone has a real party attitude.

Tell me a little bit about remixing the New order track? Lick the frog?

New Order are one of my favourite bands so when I got asked to remix crystal a few years ago it was amazing! And then to make something the band loved aswell was something else. Lick the frog took me about 3 hours to make, I never expected it to do so well!

What is your favorite sound to resurrect from the 80's?

I love my Roland 303. To me that is pure 80's

What's next for Mr. Coombs?

Next is concentrating on my own label Thrust Recordings. Now that I have completed all my album commitments to Finger Lickin I am going to make Thrust feature heavily. It is my new home for all my productions and I also have other artists on board like Paranoid Jack, Rich Thair, Koma and Bones, and Klaus Heavyweight. I am also going do my own compilation on Thrust due for release later in the year.

-- interview by Ryan Bernier

Ryan B is a nightlife DJ running a production company in Calgary, Alberta Canada. He regularly DJ's and promotes and produces large shows. www.breakzinvaders.com


LEE COOMBS OFFICIAL BIO

"If this show had an in-house orchestra, it would be LEE COOMBS" - Pete Tong, Radio One

From the start of his DJ career in 1989 Lee Coombs bathed himself in acid house parties in and around London and Cambridge. In an industry that is slip and slide at the best of times, Coombs rapidly made a name for himself. He went on to run his own labels including the critically acclaimed and much talked about electro-driven Zoid and Thrust Recordings. It was whilst working at Intergroove in the late nineties that he met with Finger Lickin' label boss Justin Rushmore. The rest is history. Coombs' contribution to Finger Lickin meant that his acid-angled productions gave him a float all of his own. Seb Fontaine and Pete Tong noted Coombs as the 'man to watch' after his 'Future Sound Of Retro' album was released on Finger Lickin' in June 2001. Remixes including Quivver and Sister Bliss set the stepping stones to the success that would follow. Soon his talents were being called upon to put his twist on everyone from New Order to Lamb to Moby.

Lee then got a call from Paul Oakenfold resulting in the almighty Perfecto Breaks album which was launched to critical acclaim in October 2002. Lee went on to remix Oakenfold's single 'Time of Your Life'. His notoriety prompted a request for Lee to fly to Prague in the summer of 2003 to record with the Czech Philharmonic Orchestra the theme music for the BBC television program "Born To Win".

2004 saw Lee Coombs back in the studio writing like a demon in preparation for the release of his much-anticipated artist album "Breakfast Of Champions". He has collaborated with some of the finest producers around including Dylan Rhymes, Christian J, Andy Gardner (Plump DJs) and Jem Panufnik (Soul Of Man). The album is a sure-fire winner full of breakbeat bombs and tech-house monsters. The first single from the album "Alright All-Night"/"Dubhead" went straight to No.1 in the DJ Mag Beats & Breaks Chart, got multiple plays on national radio and received rave reviews in all major publications. The second single features Lee's largest remixes to date - Oakenfold's "Time Of Your Life" with a re-working of New Order's "Crystal" on the flip. The third single "Shiver" feat. Katherine Ellis will include a remix by label mates the Plump Djs, already tipped by Radio One to be the crossover hit we've all been waiting for. To support the release of the album Lee is embarking on a US tour and an Australasian Tour at the end of the year which will culminate at Sydney's Field Day - a 25,000 person event on New Year's Day. People are sitting up and taking notice of his extraordinary talent. You will too.

 


 

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